Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

A question of quality or quantity.



Recently, Tyler Perry sent a message to his fans via his Website in part trumpeting the monumental success of his TV show House of Payne. The show had just celebrated its 210th episode, a feat the movie/TV mogul was eager to file in the annals of black TV history.

“Let me just put this in perspective for you,” Perry wrote. “House of Payne has done more episodes than Good Times, more episodes than Sanford and Son, and even more episodes than The Cosby Show. The Jeffersons is the only show of this genre to have more episodes. Ella and Curtis are running a close second to George and Weezie. ”

Only, within this celebratory note about numbers was Perry’s lack of an in-depth mention about any creative value he feels his series has. Maybe a thought on the show’s connection to its audience or what his characters mean to loyal viewers. (A difficult question to ask or answer considering there are no Black shows on network TV and—excluding salacious reality shows—only a half-handful on cable.). But it’s an important thought given Perry’s eagerness to think of his series in the context of iconic Black sitcoms.

In comparison, consider the ground these shows broke when they aired. Sanford and Son turned a crotchety junk dealer and his son into the biggest Black TV sitcom duo since the cancellation of The Amos ‘n  Andy Show. Good Times transformed the impoverished Evans family into America’s ghetto storytellers and cultural tour guides. The Jeffersons were America’s first beloved upper middleclass Black family before The Cosby Show turned Bill Cosby into America’s dad.

While House of Payne has a viewership of 1.2 million, the series has yet to establish what its footprint will mean in the pantheon of TV history. Given the show hasn’t made the cultural impact of a cable smash like The Sopranos or a network hit like, say, Martin its hard to gauge what will be the show’s legacy.

So the question that has to be asked is: Although Perry’s TV acumen produces sizable numbers and historic business deals, will he produce something on the small screen that reaches beyond the fact that he did it, did it big and, mainly because of that fact, it’s great.

I never got around to talking about the Wonder Woman TV show costume because it premiered on a Friday. As you have all noticed, I am a terrible blogger and can rarely convince myself to post on Fridays.

Luckily, Scipio did talk about it. He's basically spot on. Every time I looked at the image I thought "that reminds me of something. And not something good." And it's exactly what Scipio says it is: one of those bad "sexy super-hero" costumes. Here are my main problems with the outfit, from top to bottom.

1. The Face: Now, this is not at all a remark about Ms. Palicki's looks She is certainly a very attractive woman. The problem is the way everything frames her face. There's something seriously off about the way her hair sits. The tiara isn't quite right, either. It's... Too insubstantial, if you know what I mean. And her lips are just a little too bright red.

2. The Bustier: Is that supposed to be metal on there? Because it looks like plastic. It should certainly look like metal. That's important because I don't think Wonder Woman is going to be running around wearing plastic. Same thing goes for the bracelets.

3. The Pants: The fact that there are pants isn't a problem. I like the pants. The issue is that they're too bright and shiny. The pants also look like they're made of plastic. That just won't do.

4. The Boots: First of all, the heels are too high. They can be a little high. But what she's wearing now is just ridiculous. Secondly: the boots must be red. This is not some slavish desperation related to the fact that Wonder Woman's boots are usually red. The problem is that there's not contrast with the pants.

Now, my opinions don't really matter. After all, I'm just one fan crying out in the wilderness. But for what it's worth, that's what I think.

Most of you have probably already heard that NBC has ordered a pilot for a Wonder Woman series. I'd like to say that I never know what to expect with this kind of thing. But the truth is we always know what to expect. In fact, modern adaptations of comic book properties inevitably follow one simple rule:

Stray as far from the source material as possible.

Apparently this new "Wonder Woman" is a corporate executive in Los Angeles. Of course she is. Does anyone remember the short lived Birds of Prey? television series? Of course not. It was terrible. And it was terrible in large part because it strayed heavily from the source material.

Why do people in TV do this sort of thing? It's as though they don't understand basic things like cause and effect. If something survives for sixty or seventy years with certain core elements intact it must be because those core elements are unappealing to the masses. Right? Right?

Maybe this TV Wonder Woman will be good. I'd love for that to be see. It would be pretty amazing to see a modern Wonder Woman on the small screen. But even it if it is good, I'm not sure it will be Wonder Woman.

Geoff Johns asks: "wouldn't Deadman be a great TV show...?"

The answer? Yes. Yes it would.

Deadman has all the the features necessary to make a great TV show. Here they are:

1. Deadman: The Series would be episodic. A television about Deadman could easily fit into that most television of television requirements: it would be episodic. In each episode Deadman could be confronted with a new crime/problem/issue. He solves the problem by spying on people who can't see him and then possesses a few people's bodies in order to solve the issue. Kind of like Quantum Leap.

2. Deadman: The Series would have a running plot. It's common nowadays for TV series to have season long or multi-season long plots. While each individual episode has its own focus, there's an underlying story that connects them. The original Deadman comics were the same way. While Deadman tried to right wrongs, his main focus was trying to find out who killed him and why. That would work pretty well on TV.

3. Deadman: The Series would be cheap. Unlike a lot of super-hero stuff Deadman doesn't have flashy powers. His special ability is that he can possess the bodies of other people. That requires absolutely no special effects aside from maybe a CGI glow. This may sound trivial, but in this day and age costs are important. The fact that a good Deadman show could be made on the cheap is important.

4. Deadman: The Series would be comics! Comics are a hot thing right now. It doesn't matter what; people want that stuff even though they don't seem to actually want comics. Deadman fits into the scifi/horror/super-hero genre that is so popular on TV right now.

Clearly Geoff Johns knows something we don't. Clearly a Deadman series is in the work. I am excited about it, even though it does not yet exist. Remember: you heard about it here first.

 

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